I'm looking forward to these four movies, starring
Hollywood's big four top male actors. Based solely on
their appearance and style, I am visually intrigued but have
an inclining as to how much I'll really like them but it's
hard to judge from a two minute trailer, so hopefully
I'll be surprised and impressed.

OZ The Great and Powerful looks magical. I enjoy the fantastical quality and aesthetic of the computer generated imagery but I'm concerned about it being promoted as a Disney film and rated PG. This always means there will be juvenile elements that will either make no sense or turn it into a circus, see Tim Burton's Alice in Wonderland as a prime example. I suspect there may be musical numbers that will act as intermittent distractions for the children that parents bring along. Hopefully any ridiculousness will be negated by dreamboat James Franco's presence.


Great Gatsby looks like an Art Deco lover's dream. This period piece twisted with contemporary music is a Baz Lurhmann specialty, see Moulin Rouge! and Romeo + Juliet that also stars Leonard Dicaprio as other examples of his style. I already enjoy the theatrics I see in the trailer and Leo D is one of Hollywood's best actors so I'm sure his performance will be noteworthy.



Oblivion is another post-apocalyptic, sci-fi, action-drama starring everyone's favourite, Morgan Freeman and Tom Cruise who I suspect, plays future Earth's version of a blue collar worker, his character type when he's not a spy with a mission. I'm not particularly interested in the storyline that appears to be Cruise searching for the truth and a woman he used to love, I'm interested in the imagined technology and the landscape of what's left of Earth.



World War Z is based on Max Brooks' book World War Z: An Oral History of the Zombie War, stars Brad Pitt as Brooks, an agent for the UN Postwar Commission. It's another post-apocalyptic Earth scenario overrun by predatory zombies. I'm not looking forward to the gratuitous gore and violence but have had The Walking Dead prepare me for it, but rather the landscapes and inevitable architecture ruin porn. I'm not a big fan of Pitt and the vacant look in his eyes but would like to see how he saves the world, because you know he will.



 
 
I've been looking forward to Urbanized for a looong time.
I really enjoyed Gary Huswit's last two films, Helvetica
and Objectified, I'm just bummed there isn't a screening date scheduled for Vancouver.


 
 

I just watched documentary, Cameraman: the Life and Work of Jack Cardiff,  at Pacific Cinémathèque. I recommend this film to anyone interested in photography, cinematography or painting. It's a great behind the scenes look at
early film making from a technical perspective. Cardiff explains his motivation and understanding of lighting and how he was influenced by classical paintings. This film goes through
his black and white experience into Technicolor.

In movies today, I see a definite decline in the understanding of lighting and camera-work
as a character as important as a lead. But every once and awhile a film comes out that
uses lighting and camera technique expertly to contribute to a story.
Off hand, the Cook, the Thief, his Wife & her Lover and Pan's Labyrinth
come to mind. Both worth checking out for the cinematography and symbolism, and both
are films I often think about. And of course the unforgettable staple, Citizen Kane, I learned a
ton about photography from this movie. All photographers should own a copy,
it will undoubtedly improve your black and white photography.



I may have snapped a few shots in the theatre..see photos here.

The Cook, the Thief, his Wife & her Lover (1989)

 

Pan's Labyrinth (2006)

 
 

This trailer dazzles my eyes. 
It would be really great to work on a project like this someday...



 
 
Needless to say my favourite film genre is the documentary. 
This weekend I watched two documentaries by Gary Hustwit. 

Helvetica
(2007)
Objectified (2009)
 

They are both very informative and discuss the simplicity of
design in both communications and products.  I predict that
after watching these, you'll have a new appreciation for both. 





 
 

                     so I just watched this trailer for 
Valentine's Day    ...starring Julia Roberts' laughNo surprise since the director is Garry
     Marshall,
the same one from Pretty Woman.  I didn't realize 'Julia Roberts'
                      is still a name that sells, did I miss something?  This movie is clearly
                                           a cliché
knock off of Love Actually, the feel-good
                                           British Christmas comedy.  Say that five times fast. 



 
 

I've never been one to goo goo gaa gaa in a baby's face
but this documentary looks like it'll be about learning
foreign
cultures and family traditions, not just cute
squishy
babies.  Judging by the trailer, BABIES, looks
like
it will be visually interesting, creating attractive and
intriguing imagery of both urban and rural landscapes. 


song from trailer:

The Perpetual Self, Or What Would Saul Alinky Do - Sufjan Steves (The Avalanche 2006)


 
 
Despite the fact that I basically stopped celebrating
Christmas five years ago, there's a list of holiday
movies and songs that I still enjoy.  I'm a scrooge,
but i guess not a heartless scrooge...


CHRISTMAS MOVIES
TOP 5:

  • Muppets Christmas Carol (1992)
  • White Christmas (1954)
  • National Lampoon's Christmas Vacation (1989)
  • Scrooged (1988)
  • Love Actually (2003)

CHRISTMAS SONGS
TOP 5:

  • That Spirit of Christmas (1985) - Ray Charles


  • Snow (1954) - Bing Crosby, Danny Kaye, Vera-Ellen, Rosemary Clooney


  • Christmas Time is Here (1965) - Vince Guaraldi Trio


  • Wonderful Christmastime (1979) - Paul McCartney


  • Last Christmas (1984) - Wham!



HAPPY NON-DENOMINATIONAL HOLIDAYS!

 
 
Picture
Fantastic Mr. Fox movie poster. 
Cross-section technique used by Wes Anderson
.



I went to see Fantastic Mr. Fox last week (and also may have sneaked into
Pirate Radio after...
don't bother with this one) and thought it was, er, fantastic. 
Wes Anderson has successfully
created his own visual style that can be
seen in both his animated and non films.  Visually his
movies are appealing,
with their combination of new and old so the audience never really knows
what time period they're watching.  His characters seem to be caught in the
highlight moments
of their lives, see Richie Tenenbaum in
The Royal Tenenbaums.  What stands out about
Anderson, to me, is his attention to
detail in set design, dialogue and the idiosyncrasies given
to each character. 
He achieves these through awkward pauses, mannerisms and honest,
innocent, dead-pan expression.  Yet, the humour still comes through. 


A notable feature of Anderson's films is his cinematography style.  Particularly the use of
straight on shots (first point perspective), which helps to give the impression of stage
productions. 

I often think of how Life Aquatic with Steve Zissou was shot, using cross section views of the
movement and interiors of the Belafonte, Zissou's research vessel.  Before this movie, I don't
remember seeing this technique used and it's visually stunning.  After doing some research I
found that this was done as an homage to the 1972 film Tout va bien, where the same technique
was used, the film being set in a sausage factory.  And this movie was a nod to the 1961 Jerry
Lewis movie The Ladies Man, reputedly the largest indoor set built by Paramount, the house
having sixty rooms.  By panning through the spaces you get a sense of the architecture of set
design and see the structure of continuity in both dialogue and experience. 

Fantastic Mr. Fox, of course, is an ideal situation to use such technique since the story takes
place above and below ground.  In this movie the use of
straight on shots act like elevations
drawings, which also become well
composed film stills from a photographic perspective.  In this
movie the
camera work puts the animals in an ant farm-like perspective, where we're watching
from the other side of the glass. 


 
 
Picture
Beetlejuice, 1988

So I spent most of last weekend feeling like sick garbage.  Thank god Beetlejuice was on TV....three times on three different days.  And ya, I'll admit it, I watched them all, even though I own the DVD.  Over the years I have probably watched the movie about a hundred times.  And won't stop.  It's just one of those movies that is perfect background noise for working on computer-y type things. 


There's one scene in particular that I find myself watching for, then later thinking about for days.  It's after the Deetz' move into Barbara and Adam's New England house on the hill (Tim Burton likes houses on hills, see Edward Scissorhands, Big Fish, Coraline (yes I know it's Henry Selick, but they have history), et al.  Note his German Expressionism influence of extreme angles, high-contrast shadows and distorted perspectives) and have renovated it to fit Delia's post modern, big city taste. 

The scene I am always taken by is the one where Charles, Delia and Otho are outside on the all white deck extension, finished with one lone white wall shaped like a classic house doodle, triangle roof line on top of a square.  This wall is also cleverly clad with horizontal slat siding, the standard material of choice for many suburban homes.  In a way this singular wall symbolizes the idea of idealized home and family (another Burton theme), something the Deetz' are definitely not, and is juxtaposed against a post modern take over of an old Victorian home.  The window cutout nicely frames the scenery beyond, simulating a picturesque landscape painting.  There's something very striking about the white architecture against the natural landscape and despite the colour, there is still a sinister feeling to the scene and the turmoil within that can't be whitewashed. 


Still photos from Beetlejuice:
Here's a little excerpt of the movie, the famous Harry Belafonte 'Banana Boat' lip syncing scene (part 6). 
Followed by my favourite scene at about 7 minutes in (part 7). 
Enjoy!


***
Note: while I was writing this blog post Beetlejuice
was on TV again.  Thank goodness for the Halloween movie line ups,
my Beetlejuice addiction is always satisfied. 


 

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